Friday, 13 January 2012

Is this plain amateurism or a direct disdain? - Cornwall Film Festival 2011

While Cornwall Film festival seems to excel in promoting itself in an extremely favourable light. It is failing to promote the participants who are the very reason for its existence.

Having finally got my hands on a copy of the 2011 programme, I was horrified to find that my carefully considered film synopsis and quality artworks, dutifully submitted with the official application, had been completely ignored and replaced with extracts from an out of date internet review, accompanied by a screen-cap image from last years web-site.

Despite getting the best screening slot ever, for the feature documentary; ‘The Many Romances with Rosemarie’ in my personal experience of eight years of Cornwall film festival entries. I have been completely let down by the festivals publicity, which as any struggling filmmaker will tell you, is the most important thing after the quality of the film itself.

The film synopsis which was actually printed in the 2011 programme has been entirely gleaned from an article released by Devon & Cornwall film early in 2010. If the person writing my synopsis had bothered to read the article properly, they would have realised that it didn’t refer to the finished film at all (which was completed in June 2011), but to the innovative web-platform HouseboatTV, which I was launching at this time, to accompany my filmmaking journey and to encourage community participation in the film, by screening monthly episodes of the Rosemarie Houseboat residents, as I shot and edited the interviews which would eventually go to make up the whole 1hr and 45min feature length film.

There was however, not a single mention of HouseboatTV in the festival programme, so rather than highlight my novel method of film production, the implication is that the film itself was completed in 2010. There wasn’t even a link to the HouseboatTV web-site; www.houseboat-tv.co.uk where I am currently selling DVDs on-line. There was however a link to the defunct Devon & Cornwall film article. In retrospect, I had thought it a bit strange that I hadn’t received a single order for a DVD, following the Newquay, Lighthouse screening. As usually even the smallest screening would bring with it a handful of sales. Now I know why!

Over the years I have felt repeatedly let down by the Cornwall Film Festival, with films being screened in the wrong aspect ratio, at ridiculous times of day, or clashing with main, highly publicised or popular events. In 2008 my documentary film ‘Let Sleeping Dogs Lie’ was unceremoniously pulled from the festival, by Denzil Monk without so much as a phone-call. Once even having my credits entirely removed, in the screening of my short film; ‘A fruity Affair’, which had been commissioned by an audience vote the previous year at the O’Region ‘Bigger Pitcher’ event. I’ve not wanted to participate in it since, and it’s also interesting to note that in the C.F.F 2011 my screening of The Many Romances with Rosemarie, was scheduled against this very popular event. Nor was I invited to do a Directors Q&A, as I have been at several other screenings, and there was no correspondence at all before, during or after the event.

Despite all this, I have always given Cornwall Film Festival the benefit of the doubt, as it remains the only local show-case for my work as a struggling filmmaker. It has not gone un-noticed by me, that works by other reputable Artists and Filmmakers, such as Andrew Lanyon, Tony Hill, Emlyn Harris, Nick Duffy and Amanda Walsh have also been shamelessly side-lined in my humble opinion.

To conclude, I just wanted to state that I shall continue to enter my films into the Cornwall film festival, but I will no longer remain quite about any misgivings. So if you see less of me in the future, I expect this will be why! I would also be very interested to hear from other filmmakers who have had similar experiences.

Friday, 4 November 2011

A tale of two halves

Its been a while since I up-dated this blog, which I’ve used to document my original research and the production of the film; The Many Romances with Rosemarie and the progress of the web-platform; HouseboatTV, which I designed and built to encourage content and participation, while also promoting the project. This is largely due to the success of the HouseboatTV face-book page and Twitter, which have encouraged me to report my progress in shorter and more numerous up-dates, but for deeper reflection the value of a more considered blog remains.

Nearly three years on and the film is now finished. It exists as two feature length documentaries, which are each available to buy on DVD, for only £10 plus p&p at www.medialproductions.co.uk. These are Special edition copies which have been produced entirely by myself, while I continue seeking to find outlets for my products.

The film ‘The Many Romances with Rosemarie’ tells of 40yrs of Houseboat history onboard the Rosemarie, from 1970 when she was found neglected at Sailors Creek to 2009 when she was broken up for scrap on ‘Muddy Beach’ Penryn and finally in 2010, when her keel was re-cycled and used to restore the wooden fishing boat Rosa.
This is a chronological arrangement of the HouseboatTV episodes re-cut into a narrative and captures many social and environmental changes whilst maintaining focus on the vessel and the succession of her owners, which have now been defined. The HouseboatTV series continues in its own right and is currently re-screening as episodes at www.realcornwall.tv .

The sister film; ‘Remembering Rosemarie’ documenting for the first time ever, the fascinating history of the Rosemarie, built in 1930 at R.S.Burts of Falmouth, more famous for the construction of the Falmouth Quay Punts. The Rosemarie began life as a luxury motor yacht; she went on to be a Wartime River Patrol boat, and then worked as a pleasure ferry on the river Fal. Taking passengers from Falmouth and St Mawes to Malpas and the Helford river, finally ending her working life as a holiday rental houseboat at Gillan Creek on the Lizard Peninsula in Cornwall.

As my research into the previously un-documented history of the Rosemarie tuned out to be so fascinating, it became evident to me that the working history of the boat deserved to be a film in its own right. The 79yr life-span of the boat, divided neatly into two halves, her working life and her Houseboat history, both with a very different feel which I was able to accentuate more clearly in the two separate ‘sister’ films.

These two films both work as complete documentaries in their own right, but I can still see the potential for a re-cut of them both back into one which documents the whole life of the Rosemarie as I originally proposed to BBC3 and CH4, for broadcast in 2009. I do intend to make a taster and continue to take the project up to pitch-point.

I have been advised that I would only succeed in this venture as a new Director & Producer, if I partnered up with an established production company, but my experience of this to date is not good. In 2007 I signed a joint contract on another documentary idea, with a production company which shall remain nameless. My idea then sat on a shelf for two years, before they decided not to proceed into development, when I could have been perusing other possibilities for it. This time I have taken things into my own hands, and now that I have a good product, I find myself looking for appropriate outlets, and if I don’t achieve commission I shall be screening both films locally for many years to come and I can rest in the knowledge that it was I who added the story of the Rosemarie to my local history.

Monday, 4 April 2011

The Dunkirk Dilemma

Oh dear me, on reflection I just don’t have enough evidence to make the claim that the lovely Rosemarie was a Dunkirk Little ship as I deeply suspect she was. I have been working hard to try and prove that Rosemarie deserves recognition and the prestigious Little Ship status, but I just can’t risk putting my unsubstantiated beliefs into an otherwise charming and creative documentary without jeopardising the other content! So this is a last desperate call to anyone with information which may verify my suspicions, while I’ve still got time to include it in the film.

I must add that the ‘Association of Dunkirk Little ships’, haven’t helped me at all during this research and in fact have not replied to a single one of my e-mails which I started sending over a year ago now! It seems they like to concentrate on the few boats they know, which is a disgrace in my opinion as there are potentially hundreds more boats to be found, and the living memory of these is fading fast.

Russell Plummer, in his book; ‘The Ships that saved an Army’ identifies around 800 small boats but states that there may be up to 1,300. That’s another 500 to yet to be found! There are non specific entries in the list which could be applied to Rosemarie (or similar craft), such as; Rose Mary particulars unknown, and Motor Boat 42 particulars unknown. Unfortunately I don’t have The Rosemaries service number, but descriptions like this do not invite my trust in the original recording of details.

My distrust is heightened further, when I hear that some boats which have been awarded the Dunkirk status didn’t actually go, as Raymond Peake informed me. “Some boats from Newlyn went to Falmouth for the Dunkirk evacuation but they were sent back because they displaced too much water, and I know that ‘ Maid Marion’ has a brass plaque saying she went to Dunkirk, but I know she never went! What they were looking for was boats like the Rosemarie with a shallow draft, they only wanted boats with a 6ft draft, which could go right in close [to the beaches]”.

In May 1940, Falmouth was one of the Departure points of the small ships leaving for Dunkirk. Rosemarie was requisitioned in 1940 and worked as a patrol boat around the Lizard peninsula for her first year of service. I know that one of the Rosemaries wartime jobs, with Frankie Peters as skipper and Fred Hamling as Engineer, was to record all the troops returning from Dunkirk and check the ships, so the Rosemaries job was in effect to list these ships, such an irony she’s not listed! I can’t believe she didn’t go to Dunkirk herself, particularly for the final evacuations where the call was sent out for any able ships, in desperation to get all the troops off the beaches. On Friday the 31st of May, A boat called Rose Marie, was towed over, by the dutch Skoot ‘Hilda’, captained by Lieutenant A.Gray of the Royal Navy along with five other motorboats ref; ‘The Evacuation from Dunkirk’ W.J.R Gardner ISBN 071465120-6 Page 72. Which Rose Marie this is, is still unclear to me as details such as the length of the boat and numbers are unfortunately not listed.

From ‘The Ships that saved an Army’, I can see two ‘Little ships’ called Rose Marie. One owned by J. Boyer, Sheerness, (no other details) and another; a twin-screw schooner built by J. Crossfield, Conway 1926. Now this boat from my own research at the National Maritime museum in Falmouth, was not acquired by the Government until 1946, and so it is possible that she is a case for mistaken identity. Her Lloyds reference number is 148325, she measured 53ft by 13.2 with a 7.7 draft. I think she could easily have travelled to Dunkirk (if she did go) under her own power, and would be a large boat to tow as part of a flotilla of 8. Her draft was also, well over the admiralty requirements so I think she could be stealing our Rosemaries glory, but as I can’t prove this. I have to go with what I’ve got in the film, and let people make their own conclusions; otherwise I’ll be using the film to argue this case, poor Rosemarie, she deserves so much better.

Thursday, 10 March 2011

Rosemarie Target-towing in Mounts Bay












I spoke yesterday with Billy Stevenson of Newlyn, who remembers the Rosemarie target-towing for the Navy during WWII, at Mounts Bay. There is some dispute as to weather the Rosemarie was Army or Navy run. Billy would have been about 12yrs old at that time and remembers seeing the Motor Yacht towing a target for the 4 x ex-Destroyer guns, which were mounted in concrete at sites around the Lido pool at Penzance. Local Historian John McWilliams believes these guns were manned by the home-guard, but I could find no reference to this at the Cornwall records office.

Billy also informed me that the Army was stationed during the first part of the war at the old 'Sailors Home' (behind the pool). Later the Americans took over the nearby Taylors Garage.
He is looking out a photograph of the Sailors home, for me from this time but unfortunately He didn't want to give me an interview for the film.

I also asked him if there were any pictures in existence of the guns at Jubilee Pool. He didn't think that there was, and He should know, as He has been searching for the same image himself over many years. I suggested that we might mark down the location at least of these guns on a picture just for reference and I hope to do this with him at some time in the near future.

I'm still looking for someone who will testify to Rosemaries role as Target-tower, on film. If I find someone I'll arrange for a location shoot also, but I have so much material now that this would just be an added bonus.

Tuesday, 15 February 2011

George Ellis Photograph collection















Still searching for memories of Rosemarie - I have found some fantastic images of the Truro wartime 'River Patrol', none in the collection of the Rosemarie unfortunately, but these fine images may help me to illustrate the nature of her service work.

The 'Ellis' collection is housed at the Cornwall Centre Redruth, and is a window into the life and work of George Ellis, photographer to the Cornish Guardian Newspaper. It comprises of thousands of negatives, which have been copied onto microfilm for ease of viewing. There are lots of Weddings, christenings, prize ceremonies, Horse shows, agricultural events, but there are also pictures of wartime damage to properties and US Troops in Cornwall.

I particularly like George Ellis's character studies, He really does seem to capture people in a natural and unguarded fashion. Each Image is meticulously recorded in Mr Ellis's hand written ledgers, which were a delight to handle, but I do recommend going there with a specific subject in mind, or the choice will be overwhelming. The Cornwall centre hold the copyright to the entire collection and so It is a direct clearance which is a relief.

I can't help thinking that all this talk of Newspapers 'having had their day' in favour of websites and other faster digital mediums, is just that; talk! In my search for the facts and photographs, during the making of this film; 'The Many Romances with Rosemarie', I have drawn upon the resources of Newspapers time and time again. Not only for the convenience of factual historical documentation, but also for the promotion of my film project; having put out a call the public on a couple of occasions now through the West Briton Newspaper, which has brought back several useful contacts for me whom I otherwise would never have known. I think the local newspaper will always have a place, even if its domain is erroded or encroached upon.

Monday, 7 February 2011

Through the gaps! - Newlyn Fishing News: De Gaulle's Free French Army- a wartime anniversar...

Found this fascinating article by Laurence Hartwell, shame I missed the actual event! Through the gaps! - Newlyn Fishing News: De Gaulle's Free French Army- a wartime anniversar...: "This summer will see the 70th Anniversary of the Free French - so named after General deGaulle's June 15th speech in 1940. Through the Gaps ..."

Wednesday, 26 January 2011

Rosemaries secret wartime history.













John Drinkwater remembers the Schleswig-Holstein, a German warship moored up at St Mawes on a 'friendly' visit in the years 1938 and 1939. This picture is from the German Federal Archive.

Having nearly completed the 40yrs of Houseboat history for the Falmouth built Rosemarie; 10 short extracts of which are available to view online at www.houseboat-tv.com, I am now researching the boats early story to make up the entire film which will be titled; ‘The many Romances with Rosemarie’, it will be the whole life story of the boat, as told by those who remember her fondly.

During this fascinating research it has come to light that the Rosemarie worked for the admiralty during and after the war up until 1948. Her duties were described by John Andrews and Douglas Sawle of St Mawes, who remembered the Rosemarie as an ‘Examination ship’ with a gun mounted on the deck, working around the Lizard peninsula while the boat herself was stationed at Penzance during the war. They also described how, on the troops return from Dunkirk; Rosemarie was the boat which checked over each vessel and took the names of all retuning soldiers for the official listings, as the troops disembarked at Falmouth harbour.

I have also found a record of the Rosemarie going over to Dunkirk on Friday the 31st of May; this would have been at the climax of the beach evacuations. It seems that Rosemarie, ‘Rose Marie’ as she is officially listed, was towed over, by the Dutch skoot ‘Hilda’ along with five other motorboats; Moss Rose, Lady Haig, Britannic, Gispy King , Golden Spray II, and two life-boats. The skoot Hilda from London, was captained by Lieutenant A. Gray of the Royal Navy, and her operations would have taken place on the Bray Beach at Dunkirk. I am still awaiting verification of my research from the Association of Dunkirk Little ships as I would ideally like to have the Rosemaries status as a Dunkirk Little Ship officially recognized.

Rosemarie is also remembered by John Drinkwater of St Mawes in the film ‘The many Romances with Rosemarie’, John verifies her duties as described by John Andrews and Douglas Sawle, but also describes her as working for ‘River Patrol’. In 1938, John Drinkwater was serving his apprenticeship working at Freshwater Boat-yard under the locally renowned boat-builder Frankie Peters. John recalls that Frankie ‘Skippered’ the Rosemarie on her River Patrol duties with the additional support of crew members; Fred Hamblin and Walter Hitchins. I would like to put out an appeal to any family members who may have photographs of; Frankie Peters, Walter Hitchins and Fred Hamblin, which they would be glad for me to include in the film. Please contact; shauna@medialproductions.co.uk